An idea based on the same visual model inspired Sandro
Botticelli's Mystic
Nativity (1500, National Gallery, London), in
which he represented the skyline in the background with an
elliptical line converging at the centre, which delimits the
base of a hemispherical sky vault
[Figure 5]. This
Ptolemaic cosmological vault looks naturalistic, with an
everyday sky, under which we find the Holy Family.
Renaissance painters used an analogical iconic system with dramatic
realism based on a scientific knowledge of vision, light and
perspective. On the one hand, the representation of
perspective had a scientific confirmation, and it
introduced the possibility of rendering the Platonic-Christian
conception of the cosmos with a Ptolemaic elliptical
vault. On the other hand, realism and strong analogy augmented with
iconic representations were demonstrating that the laws of vision and
the Platonic conception could be fused together and serve as the
interpretation keys to the world.
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